Richard Abel, Giorgio Bertellini and Rob Kingġ Early cinema as global cinema: the encyclopedic ambition ģ Images of the “National” in early non-fiction films Ĥ National and racial landscapes and the photographic form ĥ Sound-on-disc cinema and electrification in pre-WWI Britain, France, Germany and the United States Ħ Mind-reading/mind-speaking: dialogue in The Birth of a Nation (1915) and the emergence of speech in American silent cinema ħ Living Canada: selling the nation through images Ĩ Early cinema and “the Polish question” ĩ Our Navy and patriotic entertainment in Brighton at the start of the Boer War ġ0 “An England of our Dreams”?: early patriotic entertainments with film in Britain during the Anglo-Boer War ġ1 “The transport of audiences”: making cinema “National” ġ2 Enlisting early cinema in the service of “la plus grande France” ġ4 Fights of Nations and national fights.
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